The Infamous Nina Nightshade
Burlesque Performer, Producer, and Instructor
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Badge of Honor?

6/22/2018

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“I’ve learned that I still have a lot to learn.” - Maya Angelou

I want to share a story. It is a bit of a traumatizing story, so consider yourself warned. It’s the only one you get.

This is a story I haven’t shared with many people and only a close few know the full details. Just thinking about it makes my heart race a little. It’s a topic that has made me sensitive to certain words and situations. I want to share it now, but not for the reasons someone would commonly think. I still don't know how I feel about sharing it publicly. I suppose I want to share to be honest with myself, to show that we all have experiences in our life that greatly affect us and that sometimes you learn new things about those experiences much later in life. If you are willing to listen, the experiences never stop teaching.

 June of my seventeenth birthday a friend of mine introduced me to a boy. He was her boyfriend’s cousin and I’m pretty sure her motives were selfish. She was a bit of a possessive friend. If I dated this boy, she and I would see each other more. To this day I can think of no other reason why she would set me up with a boy who listened to country and wore a cowboy hat. But, her scheme worked for a little while.


This boy, let’s call him Bobby, and I hit it off right away. The four of us would go on dates, hang out at the park and generally be four teenagers with lots of time on our hands. Every once in a while Bobby and I would go on dates on our own. Movies, tubing down the Salt River and late night pie at Denny’s. A few times I took him to outings with some of my friends. He was always the odd guy out with my friends in his white cowboy hat and black boots, but he seemed pretty at ease and my friends seemed to generally like him. “Seeing you with a cowboy is weird,” they’d say, “but, he seems alright.”

Bobby had come from Iowa to stay with his cousin and his mom, so we didn’t hang out with his friends and I didn’t really think I would ever meet them. He told me that his best friend, let’s call him Paul, would love me. He really wished I could meet his mom and his friends. At seventeen, it didn’t even cross my mind to ask why he was living with his cousin and not at home. Today, I have a pretty good idea.

My first red flag was when we were talking about his friend Paul and how Paul was trying to get him to join the KKK. Up until he said this I was under the foolish belief that the KKK was a horrible part of our past, not something that existed in the now. Having spent my grade school years in the heart of Denver where I was one of four white kids in my classroom, my brain couldn’t even wrap around this kind of hatred still being a part of our society.

“It’s not like that anymore,” Bobby insisted, “They don’t do things like that. It’s a positive group of people working to make the world better.”

Stupid seventeen-year-old me believed him, but I made it clear that I still didn’t like it on principle. I told him I couldn’t date a guy who was a part of that group, even if they were different now. Look at my friends and tell me I could be okay with it. If he decided to join, that was his choice, but he’d have to respect mine.

A week later he told me he had decided not to join. That’s when the phone calls started.

The first one came one afternoon in July. It was Bobby’s best friend from Iowa, Paul. He called to introduce himself and say how Bobby talked so highly of me. He just wanted to get to know the girl his boy was lovesick over. I’m no slick talker and the conversation was weird and awkward. I just wanted to get off the phone, but I didn’t want to offend my new boyfriend’s best friend. I stayed on the line for about ten minutes politely telling him about myself. Then it was his turn to tell me about himself. He casually told me about the sports he played, his and Bobby’s plans to start a country band someday and that his father was a Grand Dragon in the KKK. It was said with the non-chalance of mentioning if his dad was a math teacher.

I sat on the phone stunned into silence. Then, in his casual tone, he told me he heard I was a bit of a bad influence on their boy. That he didn’t like some of the things he was hearing. At that point my heart dropped to the floor, I quickly said I’m sorry he didn’t like it and that I had to go. I hung up the phone and called Bobby. We needed to talk.

When I told Bobby about the phone call he was angry, but I noticed, not surprised. He told me that Paul had talked to him and said he needed to get rid of me. I was no good for Bobby. Paul said Bobby either needed to break up with me or lose his best friend.

“I told them to go to hell,” Bobby said sadly, “What kind of best friend tells you what to do like that?”

After that day I received another phone call. This one late in the evening after I had gone to bed. My mom had set me up with one of those extra “teen” lines they used to do, so I was the only one who could hear it ring. Groggy, I answered. The caller didn’t identify themselves and I didn’t recognize the voice. They told me I needed to break up with Bobby or something bad would happen to me. Then they hung up.

It scared me, but even more than anything else I was annoyed. I was going to call Bobby in the morning and tell him to fix it. I wasn’t going to be scared away with stupid threats.

The next morning I received another phone call. This time it wasn’t a teenage boy on the line. The voice was clearly an adult man.

“Young lady, if you don’t stop filling our boy’s head with nonsense, we are going to be forced to do something about it.”

I screamed at the caller to leave me alone and called Bobby. He told me he would take care of it and hung up.

That afternoon I received more phone calls. More threats.

By the next day they got worse. I was being told things like “If you value your life...” and “Don’t think we can’t reach you all the way in Arizona.” I terrified. I was afraid to go out of the house alone, but I didn’t want to be home where the sound of the ringer made my heart jump.

On day three I unplugged my phone.

I only saw Bobby one more time after that week. He was ready to stand beside me, but he still didn’t see the KKK as “all bad”. We broke up fairly amicably and, truthfully, we would have broken up even if this hadn’t happened. I sometimes wonder where he is and what direction his life took.

The phone calls stopped after Bobby and I broke up, but it was a long time before answering the phone didn’t make me queasy.

This may be the first time I’ve told this story in its entirety. I look at it now and wonder what kind of a headspace was I in that it didn’t cross my mind to talk to my mom or the police. But at this point, it is just a piece of my personal history. I’ve moved on. Mostly. In some ways it sticks with me. In some ways it just feels like a thing that happened to someone else in a book I read. It was my moment of dealing with what I now know is not dead history; an emblem of racism, the KKK. I ran head-on into the ugliness of that group. I still have some battle scars from holding my ground.

I have carried this story silently with me like a secret badge of honor. It was my moment of strength and solidarity. It gave me a different perspective on the problems with racism than your average white person. Like many white women, I have said some of those things that are problematic. I have patted myself on the back for being an advocate. Maybe sometimes I deserved it, but that’s not the point. The point is this. This experience and how I handled it is no badge of honor.

Listening to POC share their experiences, their exhaustion and their frustrations, I have learned that I had one frightening experience that showed me what others experience all the time. It scared me. It was hard to hold to my morals in the face of these threats. It affected me long after it was over. It was also a one time experience. As a white woman, I got to walk away from this situation and move on with only my own head to fight with.

Sure, I’ve faced other experiences in life that have scared me. This experience wasn’t the only time my life was literally threatened. But it was the only time my life was threatened due to racism.

I’m not perfect. I will continue to make mistakes. I will say the wrong thing. I will offend people. I may have offended a reader with this very writing. However, I will not stop trying to be better. I will not stop trying to show others how to be better. I understand that sometimes helping means speaking up. I understand that sometimes helping means stepping back and letting someone else be heard. I won’t always get this right either, but I will not stop trying.

You may be thinking right now, “This blog is supposed to be about Art. What does this have to do with Art?”

My answer? Nothing directly, but here are a few things to consider. The Art world also struggles with racism whether it is intentional or not. This experience and what I have learned from it has shaped me as an Artist. Art is the representation of ourselves creatively and there should be a place for all of us to feel represented in Art. Artists are not immune to the threats and effects of racism. Art can teach how to be better. Art can bring people together. But Art needs to self reflect as well.

None of us are perfect, but I challenge you to ask yourself every once in a while “Am I better than I was before?”.

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Art Appreciation

5/16/2018

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My opinion of foods fall into three basic categories: foods I like; foods I don’t like, but can appreciate why they are good; and foods that make absolutely no sense to me.

I like just about anything made with mushrooms, potatoes or cheese. Peaches and strawberries when they are perfectly ripe are heavenly. I have yet to meet a key lime pie I didn’t like.

Foods like sushi and lamb? I want to like them. I have tried the best. I understand why people like them, but I just don’t. (And before you start in with the “You just haven’t had good sushi” or “but if you had my famous lamb recipe you’d love it”... I have had sushi in Japan from a top restaurant in Tokyo and I have tasted the lamb in Tom Colicchio’s New York restaurant.) I wish I did like them. I appreciate what they have to to offer and why people love them so much, but I just can’t enjoy it myself.

Then there are foods like mayonnaise and refried beans. I don’t get it. Mayo tastes like something went bad and has the texture of pond scum. Refried beans are the equivalent of the mud dredged from the bottom of that pond. Why anyone would chose to eat these foods is a mystery to me, but somehow they permeate so many recipes that for me potlucks are a source of never ending anxiety. Barbecues are one of the many levels of Hell in my world thanks to these two culprits. So, yes, if you like mayo, I am judging you.

Like my food appreciation, my Art appreciation falls into three basic categories: Art I like; Art I don’t personally care for, but appreciate for its talent and imagination; and Art that make me ask myself that age-old, eloquent question: “What the fuck?”


Art I like
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There is a gallery here in Portland called Fernie Brae. It is a magical wonderland of Art, books and gifts all centered around a faery theme. They have amazing displays by some of my favorite Artists including Brian and Wendy Froud.

One day I walked into the shop and saw a display that captured my attention so much I had a hard time focusing on conversation I was having. That day I discovered the sculpture of Scott Foster. I was mesmerized. Foster’s "Strawberry Moon" sat in a corner of a dimly lit room. What captured my attention wasn’t just the sculpture itself (which was stunning) but also a light from within shone out of the sculpture to create the most fascinating patterns on the surrounding space. It was pure magic.

Every time I go back, I look at that piece wishing I had the money to throw down to make it mine, to support this Artist and the magical place that displays it. I want to set it in the middle of my living room and just watch the way it transforms everything in the room.
I like this piece of Art. I see the hard work and imagination that went into it. The end result fills me with joy and wonder. Not all Art is going to be this magical for me, but that doesn’t mean I can’t appreciate it.


Art I don’t personally care for, but appreciate for its talent and imagination

My husband and I have what may be referred to as “Artistic differences”, but we can always appreciate the Artistry in those differences. Okay. Okay. To be honest, maybe not always… Sometimes we just shut up and allow each other the Artistic freedom to explore the direction we are going at the moment and keep our marriage healthy. For the most part he’s a visual Artist and I’m a performing Artist. We play in our respective areas and enjoy what makes the other passionate in their realm.

Last summer my family had gone to the Walker Art Center in Minneapolis. My husband being a painter and sculptor loves Art museums, especially those holding the classics. We went into the museum not knowing what we would find. The featured exhibit was dedicated to the modern dance choreographer, Merce Cunningham, and the Artists he inspired. There were videos of his dancers, costumes and paintings along with interactive rooms exploring spatial relationships and colors. It was weird, wonderful and inspiring. My daughter and I were alight in every room. Hubby? Not so much. But he was patient with us and tagged along, but the museum was far from what he hoped the experience would be. While I continued to be inspired by the exhibit long after, I knew it wasn’t his cup of tea and probably fell into his “What the fuck?” category.

Eight months later he and I were discussing some movements for an act I’m working on. I’d been watching videos of Martha Graham and Merce Cunningham for inspiration. I was ready to defend myself during this discussion and started with “I know you don’t really like him, but I think for this act…”

My husband jumped into the open space in the conversation before I found the words to continue, “I know you were really excited about that exhibit, but for me it was actually physically painful to look at.”

Okay, I’m probably not getting the quote exactly right, but these are the words that stuck with me. I was gearing up to argue with him, but I let him finish. I am a firm believer in listening to understand, not listening to respond. (There’s a difference, look it up.) This takes more time and patience, but usually ends better. Especially in a partnership like ours.

So he continued, “But for this act, I think it’s exactly the right kind of movement to convey what you’re trying to get across. That weird movement works for this character.”

I was shocked silent for a moment as I realized that while my husband didn’t like this Artist’s work he could see there was talent and meaning in what Cunningham was doing.

We don’t have to like something to appreciate its Artistry.

I’m personally not a fan of watching a poi-spinning performance and I don’t really like Picasso’s “The Weeping Woman”, but I do appreciate the work, Artistry, creatively and talent it takes to create these things.


“What the Fuck?”

About six years ago I visited the Guggenheim Museum. As an industrial design major, it was on my bucket list of places to see, if for the Artistry of the building alone. This beautiful spiral of a building is filled with some amazing works of bizarre, weird, wonderful modern Art.

And a shipping crate.

As I traversed up the spiral walk almost reaching the top I spotted quite a few tired museum goers approach a wooden shipping crate thankful for the small moment to set down their picnic laden bags, to drop a purse long enough to re-tie a shoe or to lean up against it to take a rest. That is until the nearby security guard barked at them not to touch the Art display. I watched them look around confused, sure he wasn’t talking to them, only to realize that this rough-hewn, nailed box indeed had a display label above it. Then, they would sheepishly glance from side to side hoping no one noticed their faux pas of not recognizing this box as a piece of fine Art. Who wants to be caught so uncultured?

Now, as an industrial designer, I have a fine appreciation for the Artistry of functional objects. I own a Philippe Starck juicer simply for its beautiful form with function and proudly display it in a curio cabinet. (Yes, we use it to juice citrus as well.) But a wooden shipping crate in the Guggenheim? I just can’t accept it. I’m sorry if that offends, but I’m not sorry about my opinion.

If the artist wants to come in and give a talk using their rich and high-brow words to convince us that a shipping crate is a piece of fine Art, that’s good with me. I consider that Performance Art. But, if in absence of the Artist, you need a security guard to keep people from mistaking it for a common shipping crate? Sorry, I can’t buy into it.
Some Artistic ventures I just can’t get behind. I don’t see the talent. I don’t see creativity. I just see a hot mess. Or at its worst, Art made into a mockery. Many would say things deemed Art by someone has its place in the Art world and should be appreciated for the effort. I accept this is where I become the judgemental bitch. I feel like a horrible person when I just can’t see it or support it. I’ll give credit for effort (if someone has truly put it forward), but I cannot call it Art. Go ahead, tear me down, I probably deserve it.


Art is in the eye of the beholder

Hate is a strong word, but I mean it when I say I hate mayonnaise. No amount of “you can’t even taste it” or “it’s just to keep the bread moist” will work on me. Ask my husband. I’m like the Princess and the Pea when it comes to most condiments: No amount of other layers will hide it. But I begrudgingly have to admit that a lot of people do like it. (Still judging you.)

If I can’t call it Art it doesn’t mean someone else is held to my opinions. They are mine and I have a lot of them.

Anyone who knows me knows that I am highly opinionated. (My husband diplomatically calls it “highly principled” and I don’t argue with him.) I am very opinionated when it comes to Art and I hold my convictions, but I’m not so stubborn as to think my opinion is meant to be everyone else’s. I am able to respect the opinions of others and accept we do not agree (at least most of the time).

How many times have I walked away from a piece of Art and then discussed it with someone else only to discover they saw a different story? I am swayed by my history; my education, my life experiences, my passions. So is everyone else. It affects what we like, how we appreciate things, what we hate. Are either of our interpretations of an Art piece what the Artist was trying to convey? Perhaps not. Art affects us all differently; no one has the exact same opinions on it. Not even its creator.

Everyone has to make up their own mind about Art. They should not be afraid to admit to themselves that they don’t like something even when the “cultured” are telling them why they should. They can appreciate an Artform without liking it. They can like something others don’t care for. They are allowed to sometimes say “What the fuck?”.

I like what I like. Sometimes my opinion can be swayed and it has at times been changed. But if there is one thing I know for certain, it is this: I will always hate mayo.
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Always the Understudy, Never the Lead

4/6/2018

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“Almost Perfect” by Shel Silverstein

"Almost perfect... but not quite."
Those were the words of Mary Hume
At her seventh birthday party,
Looking 'round the ribboned room.
"This tablecloth is pink not white--
Almost perfect... but not quite."

"Almost perfect... but not quite."
Those were the words of grown-up
Mary Talking about her handsome beau,
The one she wasn't gonna marry.
"Squeezes me a bit too tight--
Almost perfect... but not quite."

"Almost perfect... but not quite."
Those were the words of ol' Miss Hume
Teaching in the seventh grade,
Grading papers in the gloom
Late at night up in her room.
"They never cross their t's just right--
Almost perfect... but not quite."

Ninety-eight the day she died
Complainin' 'bout the spotless floor.
People shook their heads and sighed,
"Guess that she'll like heaven more."
Up went her soul on feathered wings,
Out the door, up out of sight.
Another voice from heaven came--
"Almost perfect... but not quite.



It’s my sophomore year in high school and I’ve auditioned for the school musical “Into the Woods”. All the castings have been made except one; the role of Little Red Riding Hood. It seems that two of us are still auditioning every day to see which one of us has this major role and which one of us is the understudy who will play the walk-on role of Snow White. Nikki and I both show up to every rehearsal during week one still giving it our all trying to win the role while the rest of the cast can casually work through blocking and lines confident in the role they are playing. About three weeks into rehearsals and things are getting awkward; we run around the stage together like a weird sideshow version of Red where we finish each other’s sentences while try to outshine each other.
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Finally at the beginning of week four our drama teacher pulls me into his office and delivers a blow even more crushing than what I was expecting.

“I know you’ve been working hard at rehearsals, but I don’t want you to get your hopes up.”

He sees in my face what he already knows; it’s a little late for that, buddy. But I’m ready to gracefully accept that beautiful, blonde, charismatic Nikki is getting the part. As he delivers the decision my shattered hopes get ground into sand.

“Nikki is really the one we wanted to cast for this part, but her grades weren’t high enough for extracurricular activities. We cast you as the backup if she didn’t improve them. Since she did, we are casting you as her understudy and you’ll be playing Snow White.”

The man had built me up, given me hope, made me believe I could be amazing enough to be a major role, that I was just as good as beautiful, blond, charasmatic Nikki and then pulled the rug out from under me and told me I was actually never good enough in the first place. That I was just a backup plan. The Understudy.
To quote the one line Snow White has in this play, “Excuse me?”

I took the blow pretty well for an angsty, pre-goth teenager. I held it all in until I got home where I then cried alone in my room while listening to The Cure and burning candles on my white and gold Queen Anne dresser top. Then, I went to every rehearsal, I made sure I knew all the lines for a part I would never play and I had my very first kiss ever from a boy I didn’t really even know just because he was Snow White’s Prince. (This first kiss experience is probably it’s own blog post…)
I still have a soft place in my heart for that musical, but it’s bittersweet much like many of the things I love.

During my senior year in high school I auditioned for the play “Wait Until Dark”. Of course, I auditioned for the lead, Suzy Hendrix. I adored Audrey Hepburn and could imagine no other part I’d want to play. Because the cast list was so small, our drama teacher decided we would do a double cast. One cast for the Friday showings and one cast for the Saturday showings. I had double the chance to get the lead. The day of casting came and I ran up to that sheet of paper that showed who made the cut. Oh, I got in. Not being cast at all might have been easier on my tender ego. The casting next to my name read “Lisa (Understudy for Suzy)”

I was cast as the understudy. Again. For a play with TWO CASTS. Which means both lead Suzy’s would have to be sick or injured. And if you know the story of “Wait Until Dark” and you find at this moment your asking yourself, “Which one is Lisa?” She’s the dead girl in the closet. This same drama teacher made me show up to every rehearsal to learn Suzy’s part knowing full well there was no need for me to be there and all I got out of it come show time was 45 minutes of being stuck in a cramped closet to be revealed in a black mini dress for 20 seconds.

I didn’t have the heart to audition for a play again for over 20 years.

In my moments of self pity and dark humor I refer to myself as The Understudy of Life. Being cast the understudy wasn’t just an experience I felt in drama club. I have spent many years of my life feeling second best. Not bad, actually pretty damned good… just not quite enough.

The top ten percent of the students in my high school received scholarships. I busted my butt in school to get good grades. Guess who was at 10.5%? For a project in college, the top five student product presentations won a trip to another city to tour a real product design lab. I was ranked number six. I stood in line to get tickets to a concert I really wanted to see for six hours. The person in line in front of me bought the last three. I have been one of the top two candidates for more jobs than I care to remember where I was told I was good enough, but the other person was just a little bit better.

There is a Shel Silverstein poem that haunts me; the voice of Mary Hume who sits in the back of my brain saying “Almost perfect... but not quite”. Line up all my ‘not quites’ and I have enough to hold the biggest Macy’s parade of pity parties. Well… almost… I’m sure someone has a more depressing list.

Now I never let this get me down for long, but it does keep rearing its ugly head. I learned and performed many forms of dance after high school, but I never entered a competition. I still couldn’t survive another blow of being Not Quite.

Then I discovered a love of burlesque. I lived and breathed it (and in most ways I still do.) I found my tribe. One of the things I love about this artform is you are the director, choreographer, costumer and performer. You are second to no one. You can cast yourself in the leading role. You are no one’s understudy. You bring your unique take on things and bring your best to the stage. Sure, you are in competition of a sort with other performers, but you can throw yourself into your act, making yourself better and not focus outside of that. At least, that’s how it feels most of the time... Not Quite certainly likes to stand on the sidelines and throw a tripwire in my path when I least expect it.

Just two short years after officially diving into burlesque I threw my hat into the biggest ring I knew, the Burlesque Hall of Fame Weekender. No building up to that goal. No smaller festival. I just went for it. I knew my chances were slim, but I felt pretty good about my talent and skills. More realistically, I also figured if I applied now, by the time I had something they would really love, the adjudicators of BHoF would know who I was. And, let’s face it, being known is half the battle.

But I didn’t get the expected rejection letter. I was accepted! It was one of the most joyous days of my life. I had gotten up at 3:45am to open for my coffeeshop job and checked my email before heading to work. In my excitement I screamed and jumped onto my husband, Derek, on our bed, scaring him awake thinking the house must be on fire or some other tremendous emergency.

I had been accepted into the Thursday night Movers, Shakers and Innovators showcase. I couldn’t think of a bigger accomplishment. Two of my dear friends had made the Best Debut Competition that same year. (They were one step away from the Queen of Burlesque competition, which many consider the most important title in burlesque.) We were a mess of joyful tears and excited chatter. There was a whirlwind of preparation. Excitement from our local community. And then the weekend finally came.

I was backstage for the Thursday showcase. Honored to be among such talented people. One of my idols, Waxie Moon, was there to perform a beautiful modern dance piece. I was set to perform just before Jonny Porkpie whom I saw as VIP of the burlesque world. It was also the night I met our future King of Burlesque, Ray Gunn.

I performed. It wasn’t my best rendition of this act if I’m perfectly honest, but it went pretty well and I was able to fill that giant stage with just me and my fan veils. Once Thursday’s show was over, I got to spend the rest of the weekend relaxing and enjoying the performances of our living legends (another blog post waiting here…) and upcoming stars including two stunning performances by my beautiful friends, Charlotte Treuse and Angelique DeVil.

Sunday morning we were having brunch with a group of friends discussing the weekend. What we liked in the shows. What we didn’t. That’s when Not Quite threw out a trip wire.

“Ray Gunn’s performance on Thursday was amaaaazing! It’s really too bad they didn’t put him in a real showcase.”

The comment came from one of our friends at the table. They weren’t looking at me and, quite frankly, probably weren’t even thinking about the backhanded insult served at me, but there was Not Quite standing there smiling at me with smug satisfaction. Somehow I managed to gracefully get through the rest of breakfast without too much of a sign that I was hurt, but the trip wire cut deep.
It changed how I talked about my opportunity to be on the BHoF stage. When I told people about it, I’d say things like, “Well, I was just in the Thursday showcase.”
Just. I hate how often I let that four letter word tear down my accomplishments. I had let that one comment turn my biggest accomplishment as a performer into just another Almost Good Enough. I let myself become the understudy once again.
It is impossible to not compare myself to others and to some degree I think it’s good for artists to look around. It inspires the art to grow. It helps artists learn how to be better or different. It challenges us. It’s when I let it drag me down, make me feel I’ll never be enough and stifles my own growth, that is becomes a problem.
I personally hate competitions because even when I know I should be proud to even be there and can pick out who will be winning because they absolutely deserve it, I will still let envy in. In moments of weakness envy turns me bitter against those that get the thing I almost had, even when those people are my own friends and I know in my heart I should be genuinely happy for them. I feel terribly guilty, but a small part of me wants them to fail and she cackles like a villain when it does happen. This side of me is ugly and unhealthy, but painfully honest.

I tell myself in these ugly moments what I know to be true; I am good enough. The problem is sometimes being good enough isn’t enough for me. Every once in a while I want to feel perfect. Every once in a while this understudy wants to have the lead role.

And then I remember that those moments are around me all the time if I would only pay attention.

When my high school English teacher “cast” me in our recitations section as Lucky from “Waiting for Godot” who only has two “lines”; one of which is 700 words long. When my daughter tells me that I am the “Best Mom Ever” and you can see she truly means it. When a friend genuinely tells me, “I’ve always looked up to you.” When I write an article from the heart about “Sisters in Dance” and it becomes the #1 hit for a online magazine that year. When my idol, Waxie Moon, pays me a compliment. When my husband of almost 18 years is still my best friend. When I headline a large-theater show in Canada.

Line those up against Not Quite and I have the motivation and energy to keep going, to keep growing. I remind myself that as soon as I feel like I am the best in my artform and have nothing to work on, then it’s time to quit. But I’m not ready to quit.

Giving up would be easier, sure, but I love what I do. I love my crazy, harried, overly busy, art-filled life. I cannot give in to this Not Quite demon, but I do have to acknowledge that she is a legitimate part of me. I have to allow her some space in my life, but I don’t have to let her be the Queen Bee. Once she’s had her moment, I can harness her power to motivate myself to work towards being better and throw myself into my art.

Recently, for the first time since high school, I auditioned for a play. No, I wasn’t cast in the role I auditioned for, but I did get cast for a bit part. Sure, I was disappointed, but I still have the privilege to be on that stage. I will be present, I will be engaged and I will put as much energy as I can into the small role I do have. I will keep growing. I won’t let disappointment stifle me.

Always the understudy, never the lead. Maybe that is who I am. Maybe that exactly who I’m meant to be. But here’s the thing to remember, at least the understudy was good enough to be cast in the play at all. The understudy still has a place at the table. The understudy is ready to be there when it falls apart. And when it does fall apart, the understudy becomes the real hero.

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    Nina Nightshade's Random Thoughts

    Random writings regarding the Art process, the emotional roller coasters of being an Artist, character development and anything else that comes to my mind.

    If you are here to judge punctuation, spelling or run-on sentences.... perhaps this blog isn't for you. If you are here to read thoughts from the heart, sometimes flawed, sometimes at odds with themselves, then enjoy!

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